The Stranger Things AI Editorial
AI
AI
AI
Client
Personal
Service
AI
Client
Personal
Service
AI
Client
Personal
Service
AI
I dropped by Hawkins for a shoot.
I dropped by Hawkins for a shoot.
I dropped by Hawkins for a shoot.
© The Stranger Things AI Editorial
© The Stranger Things AI Editorial
© The Stranger Things AI Editorial
Project Overview
Fresh off binging the latest episodes of Stranger Things, I decided to drop by Hawkins - virtually. Using Nano Banana Pro, I set out to explore character consistency and cinematic control in AI image generation.
Through iterative prompting, I directed each frame like a real photo shoot - refining lighting, composition and pose to create editorial-style portraits that felt cohesive and atmospheric.
Project Overview
Fresh off binging the latest episodes of Stranger Things, I decided to drop by Hawkins - virtually. Using Nano Banana Pro, I set out to explore character consistency and cinematic control in AI image generation.
Through iterative prompting, I directed each frame like a real photo shoot - refining lighting, composition and pose to create editorial-style portraits that felt cohesive and atmospheric.
Project Overview
Fresh off binging the latest episodes of Stranger Things, I decided to drop by Hawkins - virtually. Using Nano Banana Pro, I set out to explore character consistency and cinematic control in AI image generation.
Through iterative prompting, I directed each frame like a real photo shoot - refining lighting, composition and pose to create editorial-style portraits that felt cohesive and atmospheric.
Kraft Heinz ABC
Who's There?
Kraft Heinz ABC
Who's There?
Kraft Heinz ABC
Who's There?